To teach listeners what’s memorable about a song, the image might emphasize the movement from verse to chorus, or highlight an unusual timbre, melodic contour, or striking rhythm. Then, as now, they were short and had to accomplish many things: highlight the star, showcase performances, draw attention to the lyrics, and underscore the music. ![]() Several scholars noted that they seemed uncanny. The visual track was designed to sell the song. The clips emerged from collaborations between record companies, musicians and directors. In MTV’s first 20 years, viewers seemed to need little help determining what music videos were. Her self-titled “visual album” Beyoncé and her audiovisual film Lemonade draw on music video’s past, and suggest new possibilities for the genre’s future. Beyoncé is not only the genre’s fulcrum at this particular moment she’s also a formal innovator and historical guardian. Turning finally to Beyoncé, I’ll suggest that we can gain a sense of the genre’s history by analyzing recent videos that engage that history. I’d like to show how one might analyze a music video with the genre’s history in mind. So that we might share a common ground, I’ll propose a working definition for the genre, discuss its past, present, and future, and attend to some of the technological, social, and economic influences impinging on it. No one has sought to trace the history of music video’s influence on audiovisual style and aesthetics-especially as it has changed over those 35 years, and as it has contended with cinema, commercials, and popular music. Music video, as delimited by MTV’s initial launch, is but 35 years old, but it has shape-shifted in response to dramatic technological, aesthetic, institutional, and audience pressures. It resides somewhere between advertising and art. Like popular music, music video possesses motifs, rhythms, grain, and fine details that carry weight. It’s dependent on ephemeralities of color, movement, and sound. Music video’s specialty lies in conveying a brief state of bliss. I’ve written that YouTube can be thought of as a whoopee cushion, and post-classical cinema as a form that puzzles and pummels the viewer. Third, it’s a genre with its own conventions, ways of carrying a narrative, eliciting emotions, deploying performers, settings and props, and conveying space and time. Second, its aesthetics have seeped into nearly everything moving and visual, from Transformers and Hunger Games to Bollywood, and television shows like Game of Thrones. It’s also the most viewed content on YouTube, with studies showing that music videos are the most common way for audiences to consume popular music, more than through cds, radio, iTunes, or blogs. PSY’s “Gangnam Style” has 2 billion hits and Justin Bieber’s “Baby” has 1 billion, numbers approaching a mathematical sublime. It’s one of our most popular forms of moving media. ![]() The first is its cultural centrality today. Why should we care about music video? Four reasons, I think. I’ll highlight some of the genre’s specificities, as well as show how audiovisual relations have changed, and the ways analysis might attend to technology, platform, and musical style. I’ll propose a working definition for the genre, and discuss music video's technological and socio-economic influences. I'll show how Beyoncé stands as the genre's fulcrum, both formal innovator and historical guardian. I'll consider several videos by Beyoncé as well as a number from music video's history. ![]() ![]() This article's broad aim is to demonstrate how to analyze a music video.
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Authors will be invited to update their contribution based on the feedback provided by reviewers. Reviewers will decide themselves whether they do or do not want to disclose their identity. For each contribution submitted to the conference, the reviews will be published on the submission and publication platform and will be linked to the preprint version of the contribution. ![]() The conference will organize an open peer review process. Contributions will be openly accessible under a CC-BY license. Please make sure to carefully follow these instructions.Īll contributions submitted to the conference will be published as a preprint on the platform. Instructions for submitting a contribution to the conference can be found here. The conference uses Orvium as its submission and publication platform. Submission, publication, and peer review process a short abstract of 50-150 words) presenting a brief summary of a study. a short abstract of 50-150 words) presenting intermediate or final results of a study. systemic and behavorial effects of evaluations and indicatorsĬontributions can be based on, but need not be limited to, the following methodological approaches, or mixes of these methodological approaches:.interdisciplinarity/transdisciplinarity.More broadly, we welcome contributions on, but not limited to, the following topics: Healthy academic culture, in the light of responsible research assessment.Open science practices, in the light of responsible research assessment.Reform of research evaluation practices, in the light of responsible research assessment.We specifically invite submissions of contributions on the following topics: Kindly indicate you r preference in the submission. We therefor e support bo th physical and online attendance including possibilities for remote presentations. The conference will be organized as a hybrid event. This relates to a number of topics that are at the heart of ongoing developments both in science policy and in the field of science and technology studies: the reform of research evaluation procedures, in particular around various initiatives across Europe to revise recognition and reward processes, and also the European-wide Coalition for Advancing Research Assessment (CoARA) initiative, the transition towards a healthier academic culture, and in particular the transition towards open science practices. Contributing to more responsible, sustainable and transparent methods to assess academic work”. All Papers are published online as well as in Hard copy of journal (hard copies for the published papers are available upon author request for extra fees).The central theme of the STI 2023 conference is “ Improving scholarly evaluation practices in the light of cultural change.All authors can get free "Electronic Certificate of Publication for Free" for their published papers upon request.All authors can access their (lifetime accounts) to Print articles, read Indexing metadata, use the citation tools, download Supplementary files for certain articles, Finding References, Email articles directly, Email the authors, receive updates, receive news feeds, and Post a Comment.IJSSCFRT provides free "Soft Copy of paper" to Authors this copy can be downloaded directly from the journal’s site immediately after publication.kindly Click the following link to get indexing list. Indexing in Ulrich's Database and in Google Scholar as well as in more than 40 Indexing , listing, and abstracting partners.Kindly check the journal’s Peer Review Process. ![]() Fast, and Easy publication Process (not always guaranteed but usually within 14-28 days).Kindly Click the following link to get indexing list.īENEFITS FOR AUTHORS WHEN PUBLISHING THEIR ARTICLES WITH the International Journal of Social Sciences: Current and Future Research Trends ( IJSSCFRT): Principles, Guidelines, and Procedures for this International Peer Reviewed Journal:īefore submitting your paper to the journal, it is extremely important that you read, understand, and agree to follow the principles, guidelines, and procedures outlined in about the Journal page by CLICK HERE. The 2023 Call for Papers will be closed at 28 December Paper Acceptance/Rejection Notification: within 10-18 daysĪccepted papers will be published online ISSN (Online) and printed ISSN (Print) Important Dates:ĭate of Publication: Accepted manuscripts will be published within 2-5 days after acceptance in current issue The editorial board welcomes authors submissions for papers for this journal before submitting your paper kindly check This Link to find the topics covered by this international journal. Call for Papers 2023 2023 CALL FOR PAPERS: PAPER SUBMISSION IS OPEN FOR 2023: (We Accept Full-Papers Written in ENGLISH only) ![]() I see the man who birthed that symbolic knife, that mythological object I yearn to encounter whenever I purchase a ticket. I see somebody I recognize, somebody whose art I hold dear to my heart, inspiring me to create short stories, delivering escapes from this deteriorating planet. We slowly walk towards our demise, one by one passing through the door dividing the beauty of Los Angeles from the relentless amount of pure torture we are about to endure. My dignity was stripped, my name was erased, and I found something sinister inside me. Nothing in my power could have prepared myself mentally and physically from what happened inside. I breathe to relax my muscles, stretch my legs to ease the pain, and talk to other participants in hopes of distancing my mind from an amalgamation of negative thoughts. When the door slightly opens, a red light bathes the concrete like blood pouring out from within. I can hear soft, peaceful tunes from within, a perfect juxtaposition to the horrors awaiting our group of fifteen. Anticipation swelters in my veins, slithering through my organs. Each time the door cracks open, my heart rate increases. Minutes before, I am standing against a concrete wall-dumpster in front of me, a gate behind-waiting for the clock to strike eight. This is the end, this has always been the end. Degraded, dehumanized, I am no longer a person. He stands before me as I kneel on the cold floor, submitting myself to him, relinquishing control, transporting myself into this lucid nightmare. For recollection of both nights with fewer spoilers, please click here.Ī towering figure emerges coated in a white hazmat suit, his face covered by a gas mask. As RELAX will not be remounted, it is safe to read this and not be concerned with spoilers. Heretic’s RELAX, an extreme haunt by Cracked and Heretic. Or click on any category on the left for more information.īelow is a Recollection–this is not a review, but rather a full spoiler walkthrough of the author’s experience in Cracked vs. Galaxy Bar – The Force Unbalanced – Video & Review Erik Blair.On the Road: An Interview with the Filmmakers of Anchorage Chris Wollman.CreepLA Retrospective: A Look Back at Los Angeles’ Most Artistic Haunted House Taylor Winters.Los Angeles & Beyond – Halloween Guide 2021 Alyssa Concha.The Haunting Holiday Guide for the 2021 Winter Season Taylor Winters. ![]()
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The application’s interface targeted informal communication, and allowed people to stay connected with friends and family. Until a few years ago, Zoom was primarily used as a messaging app for individuals. The ‘centerstage’ is taken by the participant who’s speaking, since Zoom app automatically detects audio from users. All the participants are displayed in thumbnails stacked at the top of the main window. Right at the bottom of the window, you can find multiple meeting controls, giving access to various functionalities. ![]() When you join or start a meeting, a pop-up window appears on the screen. There’s a dedicated ‘ Meetings’ tab, which gives information about scheduled and completed virtual meetings. The program takes cue from leading platforms, and displays everything in large-sized icons. 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I called them, and a young Chinese American guy apologized for the mistake and would send the right order out - although it would be another hour.Īll seemed ok, until I opened the order, flipped the receipt over, and found written, "It's you mistake - we no do you business anymore - manager Dragon Express"! He asked if I wanted the noodles or vegetables, and I said no, I want the pork egg patties for egg foo young. I ordered the family dinner for two, with sesame chicken and pork egg foo young. They screwed up our order, and then FIRED us as customers, refusing to do business with us again - and it was only the second time we ever tried them! Restaurants with Outdoor Seating in Lewisville.Restaurants for Group Dining in Lewisville.Hotels near (DFW) Dallas/Fort Worth International Airport.Hotels near First Baptist Church of Lewisville.Hotels near Lewisville Lake Environmental Learning Area.Lewisville Hotels with Laundry Facilities. ![]() And the 60-foot was a couple of thousandths slower on the pass with the scoop, so it wasn’t the track or the weather. 14-seconds and three mph in the 1/8-mile in a 7.00 index car. Both Innovative and CTR offer their scoops in traditional clear lexan and tinted, or “smoked,” again with the main difference being the look of the scoop once installed on the car. The opening is rectangular as well, though Innovative Racecraft has recently added a “bubble top” design with a rounded top panel that provides a very nice look, and the rounded top can really accent the lines of the car. Nearly all lexan scoops are rectangular in shape with a taper that widens vertically toward the inlet. The design of the scoop is fairly basic, though there are some options available, based mostly on aesthetic preferences and intake design. “We only sell about 15 or 20 a year because it’s not something we focus on, but we offer a quality scoop that will survive a backfire or two without having to be replaced.” I believe our design is the strongest on the market today,” Terry says. “I looked at a few that had been blown off the car by backfires and made some changes that made them much more durable. CTR decided to build a stronger design after looking at a few scoops that were destroyed by nitrous backfires and realizing there was room for improvement. As Limited Street’s popularity faded, so did the need for lexan scoops - at least until the latter part of the decade. Terry recounts first seeing lexan scoops back in the early 2000’s when ORSCA’s Limited Street racers were trying to keep a more stock-appearing profile for cars by not allowing a traditional forward-facing hood scoop. Lately, we’ve been shipping a lot of them to no-prep racers as well, as those events have really caught on over the past couple of years. Lately, we’ve been shipping a lot of them to no-prep racers as well, as those events have really caught on over the past couple of years,” said Pirez of his customer base. ![]() “Most of them do end up on grudge and no-time cars, yes. Troy jumped into the market with both feet around 2009 when the trend first started catching on, and his data agrees with what we’ve seen first hand. Troy Pirez Jr., accomplished driver and owner of the Seffner, Florida-based fabrication shop Innovative Racecraft, was one of the first to manufacture lexan scoops. Lately, the explosion of no-prep events has opened a new market for the clear scoop as well. While there are some X275 cars beginning to adopt the see-through design, and Radial vs the World competitor Chad Henderson has utilized one on his big-inch nitrous Grand National for a few years, the vast majority of them are used in the grudge and N/T world. We can address most of the “who” right off the bat, as it seems that probably 9 out of 10 lexan scoops are on grudge, no-time and no-prep cars, the current outlaws of the sport, it seems. Where did they come from, and what are the benefits of this understated, but very cool scoop design? We reached out to a couple of leading lexan scoop manufacturers to find out the who, what, and why behind these clear bug catchers. Lexan scoops have gone from a rarely-seen accessory just a few short years ago to being one of the more common sights adorning the intakes of many cars these days. ![]() Mineral Blurring Microspheres create a soft-focus diffused finish and blur the look of fine lines around. ![]() Learn more in my digital photography and digital printing workshops. bareMinerals BOUNCE & BLUR Eyeshadow Palette. Where do you start? Get started with this quick visual survey of available options. (If you want to extend your software palette even further, explore onOne Software’s FocalPoint.)Īt first glance, the list is overwhelming. In the main window displayed, if you double-click the RAW image to be corrected, the edit screen and tool palette appear. Start Digital Photo Professional and display the main window. In the layers palette, click the half-moon icon and select any adjustment. Follow the procedure below to correct lens aberration. Choose the appropriate blur style and set the parameters. Go to the Filter option from the menu and select Blur. When it comes to post-processing blur, you’ve got options! Photoshop currently offers 14 filters: Field Blur, Iris Blur, Tilt-Shift, Average, Blur, Blur More, Box Blur, Gaussian Blur, Lens Blur, Motion Blur, Radial Blur, Shape Blur, Smart Blur, Surface Blur – in order of appearance in the Filter > Blur drop-down menu. Right-click on the background layer in the layers palette (right of the screen) and select Duplicate Layer and rename it if needed (say, blur). You can access the Channels palette by clicking its tab (next to the Layers. Thoroughly understanding your post-processing options will help you make choices about when and how to control blur in your images before, during and after exposure. Selective focus with the Lens Blur filter The previous method gives fairly. ![]() Blur can be controlled at the point of capture and in post-processing. There are many reasons to explore blur in your images: remove distractions, direct attention, enhance space, modify mood and add interesting visual artifacts are a few among many. |
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